SPECIFICATION
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Model: MO1610063
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Style: Inspired by baroque design
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Main Material: Brass
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Stnadard Finish: Antique brass
- Demension & Lamp:
Dia660*H760mm 6*E14/LED
Dia1200*H1000mm 36*E14/LED
INTRODUCTION
Step into the private atelier of Versailles’ master ciseliers with The Lys Oriflamme Brass Chandelier, where Bourbon regalia transforms into luminous sculpture. Behold solid brass reborn as heraldic grandeur: at its zenith, a triple-tiered crown—meticulously pierced with Florentine pietra dura tracery—anchors cascading arms shaped like fleur-de-lis scepters. Each arm culminates in candle-style bulbs ensconced in JEWELLERY TOP’s signature ribbed glass, their amber glow echoing Louis XIV’s gilded salons at sunset. Observe how central french chandelier artistry manifests: scrolling vines twist like captured grapevines from Médoc vineyards, while acanthus leaves frame lion-head medallions so lifelike they seem poised to roar—direct tributes to Fontainebleau’s forgotten menageries.
Witness storytelling in patina: aged brass transitions from dawn’s champagne-gold brilliance to dusk’s cognac-depth bronze, mimicking the weathered grandeur of Orléans cathedral railings. Between these metallic narratives hang pendant crystal clusters—sharp as Baccarat decanter facets—scattering light into diamond-patterned constellations across coffered ceilings. When illuminated, these refractions paint walls with shifting trompe-l’œil motifs: heraldic shields materialize, fleurs-de-lis bloom in spectral gold, transforming dining halls into private chapters of the Légion d’honneur.
This victorian chandelier ethos permeates every detail: chains descend as braided velvet cords from Bonaparte’s coronation robe, while finials replicate Napoleonic bee motifs in miniature. Crafted for spaces demanding dynastic intimacy—be it above a walnut escritoire or within a marble-clad vestibule—its openwork crown permits light to cascade like liquid sovereignty. Negative space conjures Sainte-Chapelle’s rose windows, where shadows trace Gothic tracery upon domes after twilight.
Material metamorphosis defines this heirloom: brass evolves like Louvre sculpture bronze, deepening under candlelight into hues recalling Sèvres porcelain gilding. The bronze chandelier legacy whispers through oxidized recesses, intentional as Verdigris on Marie Antoinette’s garden gates. To install Lys Oriflamme is to commission permanent golden hour—a dialogue between ancien régime splendor and Victorian industrial rigor, where every gathering becomes a soirée beneath the Bourbon banner.
